Rosemary Clooney was, and remains, a singer of significant gifts, but at
the dawn of the 1950s she was obliged to bounce bravely through such novelty numbers as this coy, double-entendre-filled invitation to a buffet (“Come on-a-my house/I’m gonna give you everything”). So tinkly it gives the impression of being played on toy instruments, this #1 hit was the product of a writing collaboration between a Pulitzer Prize-winning playwright and the future creator of Alvin & The Chipmunks—which tells you just about all you need to know about the music scene in the early ’50s.
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